Thứ Hai, 26 tháng 2, 2018

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For more infomation >> [ AMV ] Skillet - What I Believe - Duration: 3:28.

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The Beacon Group - Key Holding: What Is It? - Duration: 1:09.

hello and welcome to this beacon video today we're covering our key holding service

so your intruder alarm has been activated with beacon our 24-hour marked

patrol team will be on hand to act as first responders in our GPS tracked

security patrol vehicles. on arrival your premises are checked thoroughly and

any alarms deactivated.

in the event of a false alarm, a full report is written and emailed to you. your premises is then secured.

If an incident has occurred our team will liaise with all relevant emergency

services. necessary contractors and yourselves to minimise damage and ensure

your premises remain secure.

Thanks for watching.

For more infomation >> The Beacon Group - Key Holding: What Is It? - Duration: 1:09.

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What's the song? | Lyrics QUIZ from BILLBOARD HOT100 February 2018 - Duration: 1:41.

LYRICS QUIZ

WHAT'S THE SONG CHALLENGE

For more infomation >> What's the song? | Lyrics QUIZ from BILLBOARD HOT100 February 2018 - Duration: 1:41.

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Mentoring in Business -- What a Billionaire Taught Me at 17 Years Old - Duration: 2:18.

For more infomation >> Mentoring in Business -- What a Billionaire Taught Me at 17 Years Old - Duration: 2:18.

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What to do When Your Marriage is in Trouble - Duration: 2:53.

your relationship is in trouble you're exhausted from having that same fight

over and over and over again and I don't blame you you've reached your threshold

of begging and pleading for something to change something to give hi I'm Robyn

D'Angelo licensed Marriage and Family Therapist and The Happy Couple Expert

and if this sounds like you I'm super glad that you're here I'm gonna give you

a few things that you can do today to start getting your relationship back on

track it's time for outside supports time to either therapist it's time to

get a counselor yet your partner might not know or be on board here's how you

can go to them and bring up the topic say to them as you can tell probably

I've been pretty frustrated been feeling pretty disconnected I'm ready to get

some outside help from a therapist would you be willing to join me if I set up an

appointment for next week stop talking at that point

let them think about it you might even say something like think about it I

don't need an answer right now but I'm gonna circle back with you later on

tonight or maybe even tomorrow because I really want to get an appointment made

quickly it's that simple talk about what it is that you need talk about it in a

way that gives your partner options and time to think about it it shows that you

respect them number two if you're at the point where you're just ready to go in

and just explode and say everything that has pissed you off about your partner

over the last 10 years or if you're so angry that you have shut down and you

don't even know where to start really encourage you to reach out and set up an

individual session with a couples therapist that's right I offer something

called couples therapy for one sometimes we just need to get all the anger and

angst and resentment moving around a little bit to create some space to

really work on the relationship when your partner's sitting right next to you

on that couch you want them to feel like they matter last but not least make sure

whoever you're working with is a specialized couples therapist

ask them do you primarily work with couples ask them you know what kind

of therapy do you offer make sure you're with someone who has a passion for

relationships and get their information so that you can start working with them

right away I hope this has been helpful you guys if you're local to the Southern

California area I would be honored to work with you it is my passion to help

couples master the messiness of couplehood and if you're not in the area

make sure to subscribe to my channel you'll get tons of tips tools and

strategies on how to create your epic relationship talk to you guys next week

bye bye

For more infomation >> What to do When Your Marriage is in Trouble - Duration: 2:53.

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What makes instruments sound different? - Duration: 5:26.

Hi, my name is Drew Lytle, and I want to tell you a story, and for this one, I recommend

wearing headphones.

I want you to listen to something.

That was middle C played on a bunch of different instruments.

So, a question for you, why do they sound different?

Weird thing to think about, right?

Your initial thought might be that it's the difference in shape or material, and you'd

be right, but to fully understand how all of these unique sounds can come together to

produce music, we need to talk about physics.

See, music, like all sound, is created from waves.

Each soundwave has a particular frequency, and as the wave moves through the air, that

frequency is what we perceive as pitch.

Middle C, for instance, has a frequency of 261.6 HZ; and it sounds like this.

But you'll notice that that doesn't sound like any of the instruments we heard before,

right?

Here's the cello playing the C again, and here's the pure C pitch.

Completely different.

The pure C sounds cold and boring.

That's because when we sing or play instruments, we're never producing only one soundwave;

each note is made of multiple waves combined.

I know, that sounds insane, but we can actually hear this if we listen closely.

As the cello plays the C, I'll just softly play the ones I hear so you can try to listen

for them.

There's the octave above, the one below, and a little bit of the fifth.

If you didn't hear those notes, keep practicing and listening; replay the video if you need

to, because once you hear them, it makes music different, fuller, it's like every note

is it's own chord!

And those are just the ones we can easily hear.

If we graph the frequency spectrums for the cello, piano, and the trumpet, we see that

there are a lot more.

What's really cool, is that all of the frequencies line up regardless of the instrument.

Here's the fundamental, the octave, the fifth, the next octave, the third so on and

so forth.

This pattern is called the overtone series, and what gives an instrument its unique sound

or timbre is just the differing volumes of these frequencies.

That's it!

What's really amazing, though, is that when these frequencies are all in tune with each

other, their volumes are added together and sometimes a frequency in the overtone series

is so in tune and becomes so loud that it sounds like there is another instrument playing

that note.

This phenomenon is called an overtone and it's one of the hardest things for musicians

to create together.

And learning about how it works reminded me of something my high school choir director

used to say during difficult rehearsals, "Music isn't magic".

And what she meant by that is music is really hard work.

It takes a lot of time and deliberate practice from everyone involved to create something

beautiful.

But, if in that moment of beauty we create something literally out of thin air, than

I think Music is magic, it's just getting there that isn't.

And it's kind of profound when you put it in the context of choral music.

Humans don't have valves and strings we can manipulate to match our fundamental frequencies.

Our bodies are not designed so we have a matching timbre.

The only way for us to tune and get to that moment of magic is by listening to each other

and collectively compromising our individual voices to create an ideal sound.

We have to think about being a piece of something bigger than ourselves and ensure that we are

positively influencing the whole.

And when we all do that together, in perfect harmony, we create a magical effect that couldn't

be achieved by any of us alone.

And this is a lesson we desperately need to remember in our current political climate.

If we want to solve problems, we can't get there by drowning others out and believing

that the song is a solo.

We need to listen to those around us, balance the sound so everyone is heard, and find a

compromise between our individual beliefs and actions that benefit the collective.

Because when we do that we are in tune, we are unified, and we have the opportunity to

accomplish things that none of us could alone.

When it happens it's magic, it's getting there that isn't.

Thanks for watching.

I am a firm believer that the arts are an integral part of a civil education.

If I've proven that to you in this video, make sure your local representatives and school

board members keep these programs in their budgets.

Share this video with them.

I would like to thank my middle and high school teachers for molding me into the creative,

critical thinker I am today.

I'd like to thank my patrons on Patreon including Harry and Erika Lister, the jeans

Family, the Lawson Family, Andrew James, and my parents; you all are instrumental in making

these videos possible and helping me achieve this dream of educating through story.

If you want to help grow Curiository and make this channel bigger than me in my bedroom,

head on over to patreon.com/curiository.

Thanks as always for watching, and I'll see you next time.

For more infomation >> What makes instruments sound different? - Duration: 5:26.

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What Size of Development Project Should Investors be Looking At? - Duration: 2:35.

For more infomation >> What Size of Development Project Should Investors be Looking At? - Duration: 2:35.

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The Stoler Report - What's Really Happening in the Office Market? - Duration: 28:59.

♪ [THEME MUSIC] ♪

>>> EVERYBODY WANTS TO BE IN NEW

YORK.

THEY WANT TO HAVE OFFICES IN NEW

YORK.

COMPANIES ARE HERE TODAY THAT WE

ARE NOT HERE FIVE YEARS AGO.

YOU HAVE WE WORK WITH 4 MILLION

SQUARE FEET.

YOU HAVE AMAZON.

YOU HAVE GOOGLE.

COMPANIES SMALL AND LARGE.

WHAT IS REALLY HAPPENING IN THE

OFFICE MARKET IN NEW YORK CITY.

SPECIFICALLY MANHATTAN?

I'VE ASSEMBLED THIS GROUP OF

BUSINESS LEADERS TO PROVIDE

INSIGHTS ON THE MARKET.

MY GUESTS INCLUDE SCOTT GALIN,

THE CEO AND CHIEF OPERATING

OFFICER AT HANDRO PROPERTIES.

DAVID FALK,

THE PRESIDENT OF THE NEW YORK

STATE TRI-STATE REGION FOR

NEWMARK KNIGHT FRANK.

MICHAEL GIGLIO,

THE CHIEF FINANCIAL OFFICER AT

THE KAUFMAN ORGANIZATION.

AND LAST BUT NOT LEAST,

BRIAN STEINWURTZEL,

WHO IS CO-CEO AT GFP REAL

ESTATE.

SINCE YOU'RE ALL OF NEW YORK

STATE AND THE TRI-STATE REGION,

WHAT IS REALLY HAPPENING?

IS IT A TENANTS' MARKET OR A

LANDLORD'S MARKET?

>> I THINK IT'S A TENANTS

MARKET. YOU HAVE THE EFFECT OF

HUDSON YARDS.

THE EFFECT OF NEW CONSTRUCTION.

IT'S SHOWING YOU THERE IS A

DEMAND BY TENANTS IN

MIDTOWN ESPECIALLY.

MOSTLY FINANCIAL SERVICE TENANTS

TO MOVE FROM OLDER PROPERTIES TO

STATE-OF-THE-ART CONSTRUCTION.

THE WHOLE MARKET HAS BEEN

INCREDIBLY IMPRESSED.

I'M NOT SURPRISED ON THE

SUCCESS OF ALL OF HUDSON YARDS.

IT CONTINUES TO BE LEASING AT

A VERY RAPID PACE.

AND THE LARGER DEALS DOWN AT THE

TRADE CENTER.

SPOTIFY COMMITTED THERE.

WHO WOULD HAVE THOUGHT THEY

WOULD COMMIT FROM FINLAND.

THEY BROUGHT THEIR HEAD QUARTERS

HERE. GOING BACK TO YOUR POINT

OF NEW TENANTS COMING TO THE

MARKET.

AN INFLUX OF NONFINANCIAL

TENANTS.

IT'S GREAT FOR THE MARKET.

THESE TENANTS DIDN'T EXIST

HERE FIVE YEARS AGO.

AND THEN THERE IS THIS DEMAND

FOR NEW STEEL AND GLASS.

I THINK THE NEGATIVE IS,

WHAT'S BEING LEFT BEHIND?

WHICH I'M SURE WE'LL TOUCH ON.

>> WHEN WE TALK ABOUT HUDSON

YARDS.

IT'S THE FAR WEST SIDE.

WHERE YOU -- YOU, AND YOU, HAVE

BEEN FOR 50, 60, 70 YEARS.

WHAT IS HAVING AN EFFECT ON YOUR

PROPERTIES IN THAT MARKETPLACE.

>> THE GOOD NEWS FOR OUR SIDE OF

THE BUSINESS IS WE FOCUS ON

SMALL TO MEDIUM-SIZED COMPANIES.

THERE HASN'T BEEN AS MUCH

INCREASE IN SUPPLY

AS FOR LARGE BUILDINGS.

HUDSON YARDS, THEY'RE NOT

CATERING TO TENANTS UNDER 10,000

SQUARE FEET, WHICH IS WHAT OUR

PORTFOLIO CATERS TO.

WHAT HUDSON YARDS IS DOING IS

MAKING ALL OF OUR NEIGHBORHOODS

MUCH BETTER ON THE WEST SIDE.

IF YOU WERE TO WALK DOWN NINTH

AVENUE, KNOWN AS HELL'S KITCHEN,

NOW FULL OF RESTAURANT

DESTINATIONS.

THE RESIDENTIAL CONDO AREAS.

THE OFFICE SPACE HAS GOTTEN A

LIFT FROM THAT DEVELOPMENT.

>> KAUFMAN HAS BEEN IN THIS --

FASHION -- NO --

>> GARMENT DISTRICT.

>> GARMENT DISTRICT WHERE YOU

HAVE YOUR PROPERTIES.

WHAT'S HAPPENING WITH THE

KAUFMAN INITIAL PROPERTIES?

AND THE CHANGES IN THE MIDTOWN

SOUTH AREA THAT WE TALK ABOUT.

>> SO KAUFMAN IS DIVIDED INTO

TWO AREAS WITHIN THE BUSINESS.

THE CORE PORTFOLIO WHICH HAS

BEEN AROUND SINCE AS WE HAVE

ACCUMULATED THE ASSETS SINCE

1909.

THOSE PROPERTIES ARE GENERALLY

WELL LEASED-

>> YOU LOOK GOOD FOR THAT AGE.

>> I LOOK GOOD FOR THAT AGE.

I'VE BEEN WITH THEM 11 YEARS.

THOSE BUILDINGS IN THE ORIGINAL

PORTFOLIO ARE BUILDINGS CLOSE

TO 100% LEASED.

AND LARGELY BECAUSE WE CAN FLEX

WITH THE MARKETS.

WE CAN MOVE OUR RENTS DOWN OR UP

BECAUSE WE'RE NOT HIGHLY

LEVERAGED.

ON THE VALUE ADD PORTFOLIO.

UNDER THE KAUFMAN NEW VENTURES

UMBRELLA.

THAT IS HIGHER LEVERAGED.

A LITTLE MORE OF A NICHE

PRODUCT.

BASICALLY LOOKING AT LOFT

BUILDINGS.

80,000 SQUARE FEET TO 143,000,

150,000 SQUARE FEET.

AT 119 WEST 24th STREET WAS

RECENTLY LEASED TO A NEW

COMPANY THAT CAME IN.

ANHEUSER-BUSCH, HAVE COME IN

AND LEASED EIGHT FLOORS IN THAT

BUILDING FOR 145,000 SQUARE

FEET.

>> IT'S THE REASON COMPANIES ARE

COMING TO NEW YORK.

>> ST. LOUIS-BASED COMPANY.

FOREVER.

NEVER HAD SPACE IN NEW YORK.

CAME TO NEW YORK BECAUSE THEY

WANTED A NEW YORK PRESENCE FOR

MARKETING.

AND MEDIA.

THEY WANTED A BUILDING WITHIN A

BUILDING.

WE HAD A UNIQUE LOCATION FOR

THAT PURPOSE. BUT TO GET

TO THE POINT,

THOSE BUILDINGS ARE HARDER TO

LEASE NOW.

THE VELOCITY HAS DROPPED DOWN

A LITTLE BIT WITH RESPECT TO

DEMAND-

>> LET'S LOOK AT WHAT HAPPENS.

IF YOU ARE BUILDING THE

HUDSON YARDS.

HOW MANY SQUARE FEET IN THE

RELATED --

>> RELATED BROOKFIELD, 12

MILLION SQUARE FEET.

>> TRUE TENANTS ARE MOVING IN

BUT THAT'S ABSORPTION TO 12

MILLION SQUARE FEET.

IN LOWER MANHATTAN WE HAVE

AN ABSORPTION FROM THE TRADE

CENTER OVER HERE.

WHERE IS THE MAJORITY OF THE

VACANCY?

ARE WE SEEING IT ON 3RD AVENUE?

ARE WE SEEING IT ON 7TH?

WHERE IS THE VACANCY TODAY?

>> I THINK DAVID CAN GO DO THE

VACANCY ANSWER.

>> WHERE YOU TO SEE IT?

>> WE HAVE A BROKERAGE BUSINESS.

THERE WAS A YEAR OR TWO WE WERE

DOING A LOT OF BUSINESS ON 3rd

AND 6th AVENUE AS THE VALUE PLAY

FOR A BUILDINGS.

WE'RE LOOKING AT SOME OF THOSE

3rd AVENUE BUILDINGS AND

I LIVE IN THE NEIGHBORHOOD TOO

AND I SEE WHO IS MOVING INTO

THESE BUILDINGS.

I'M NOT SURE IT'S STILL A VALUE

PLAY ANYMORE LIKE DOWNTOWN.

BUT TO BRIAN'S POINT ABOUT THE

B BUILDINGS STOCK, I THINK

WE'RE THE ONLY TRAUNCH OF

BUILDING THAT THE DENOMINATOR

GOES DOWN EVERY YEAR BECAUSE OF

CONVERSIONS.

YOU CAN'T BUILD THESE THINGS

LIKE KAUFMAN HAS AND THEY HAVE

AND WE HAVE ANYMORE. YOU DON'T

BUILD A B BUILDING. BUT B

BUILDINGS DO GET CONVERTED TO

HOTELS AND RES AND THINGS SO

OUR SUPPLY GOES DOWN AND THE

DEMAND CONTINUES TO GO UP.

>> YOU SEE, MY PROBLEM THAT I

ALWAYS HAVE ABOUT THIS, AND I --

I SAY BRIAN'S FAMILY AND

FRIENDS, WHICH MANY PEOPLE HERE

ARE INVOLVED WITH, HAVE ALWAYS

BEEN GOOD TO THE SMALL COMPANY.

BECAUSE THE SMALL COMPANY GETS

PRICED OUT OF THE MARKET IN MANY

CASES.

YOU'RE NOT GOING HAVE A SMALL

COMPANY WITH 3,000 SQUARE FEET

MOVING TO HUDSON YARDS.

THEY'LL MOVE TO YOUR BUILDING ON

8th AVENUE OR ONE OF YOUR

PROPERTIES IN THE AREA.

THE SMALL COMPANY MAY HAVE AN

OPPORTUNITY TODAY BECAUSE OF

THIS.

>> I THINK THAT THE ADVANTAGE

THAT WE HAVE NOW, AND THAT YOU

PROBABLY HAVE AS WELL, SO DO

YOU.

WE CAN OFFER FULL FLOOR TENANTS

AT 10,000 SQUARE FEET.

THAT WOULD BE DIVIDED INTO TWO

SECTIONS IF YOU WANTED TO SHARE

A TENANT ON ONE FLOOR,

5,000 SQUARE FEET. THE POINT

YOU WERE MAKING EARLIER,

YOU GIVE AN INTRODUCTORY

POINT TO THOSE WHO WANT A HALF

FLOOR OR FULL FLOOR PRESENCE

IN SOME OF THESE SMALLER

LOFT BUILDINGS.

>> 515 MADISON OVER WHERE YOU

HAVE THE OPPORTUNITIES FOR

SOMEONE TO BE NEAR THE PLAZA

DISTRICT IN A GOOD LOCATION

AT A LOWER PRICE.

SAME THING AT 40 WORTH.

>> WE'RE ALWAYS PRICING TO RENT.

OUR PHILOSOPHY IS A CASH FLOW

ONE VERSUS SOME PRIVATE EQUITY

THAT'S VALUE ADD AND WANTS TO

SELL AS SOON AS THEY RENT

SPACE.

WE'RE ALWAYS GOING TO BE,

PROBABLY PRICED A LITTLE BIT

LOWER THAN A NEW VENTURE.

THAT BEING SAID, I THINK THERE

ARE TWO MARKETS.

ONE FOR SMALL AND MEDIUM SIZED

COMPANIES.

SCOTT IS RIGHT.

THE SUPPLY IS TRENDING LOWER,

WHILE THE DEMAND INCREASES.

ON THE LARGER COMPANY SIZE

WE HAVE A FEW COMPANIES IN 200-

300- 400,000 SQUARE FOOT RANGE

THAT ARE IN OUR PORTFOLIO AND

WHAT WE'RE HEARING FROM

THEM IS THEY'RE DOING ZIP CODE

CHECKS ON EMPLOYEES AND FINDING

A SIGNIFICANT AMOUNT OF

EMPLOYEES ARE LIVING IN BROOKLYN

THAT ARE NOW LIVING IN LONG

ISLAND CITY, QUEENS.

SO THE CENTER OF MANHATTAN IS

SLOWLY TRICKLING SOUTH.

A COMPANY MAY HAVE BEEN

CONSIDERING PROPERTIES

ON 3rd AVENUE OR SOME OF THE

LARGER BUILDINGS ON 6th AVENUE.

NOW THEY'RE OPENING THOUGHTS TO

BEING ON THE FAR WEST SIDE.

THE WORLD TRADE CENTER

PROPERTIES AND SOME OF THESE

OTHER BUILDINGS THAT ARE BEING

CONVERTED.

>> SOUTH AND WEST. THE FUNNY

THING IS, ON 7th AVENUE.

I SPENT 30 YEARS OF MY LIFE IN

520 8th AVENUE.

THAT WAS THE FAR WEST SIDE.

NOBODY WENT TO 9th.

NOW, A BUILDING ON 7th AVENUE IS

MIDTOWN.

WITH HUDSON YARDS GOING OVER

THERE, ON A MAP IT'S MIDTOWN.

IN PEOPLE'S MINDS, IT'S THE

CENTER OF THE CITY WHEN YOU HAVE

HUDSON YARDS AND CAN GO AS FAR

AS 3rd AVENUE.

>> IF TENANTS WERE WATCHING THE

SHOW AND WERE TRYING TO FIGURE

OUT, WHERE IS THE BEST

OPPORTUNITY FOR A TENANT TODAY?

IS IT LOWER MANHATTAN?

IS IT 7th AVENUE?

6th AVENUE LOCATION?

3rd AVENUE?

OR IS IT THE OPPORTUNITIES IN

BROOKLYN AND QUEENS?

>> SO, OBVIOUSLY, GOING BACK TO

WHAT THE PANELISTS SAID

IT DEPENDS ON THE SIZE TENANT.

BUT IF YOU SAID A 50,000-FOOT

TENANT RELOCATING.

WHAT'S INTERESTING ABOUT

MANHATTAN TODAY, WHICH

IF YOU THINK ABOUT,

WE DON'T REALIZE THAT THIS IS

HAPPENING.

IT'S ALL THREE SUB MARKETS ARE

TURNING INTO ONE.

I'M SEEING ON THE SAME TOUR.

WE HANDLE PROPERTY EVERYWHERE.

I CAN SEE THE SAME BROKER SHOW

THE SAME TENANT HUDSON SQUARE,

WHICH IS DOWN VARICK, KING,

DOWN CANAL,

CAN BE SHOWN LOWER MANHATTAN.

AND A SUBLEASE IN MIDTOWN.

>> THAT SITUATION IS HAPPENING

EVEN IN THE RESIDENTIAL.

WHEN SOMEBODY IS LOOKING AT

SPACE, NO ONE IS -- THEY'RE NOT

CONFINED ANYMORE THAT I WANT TO

BE IN THE MEAT PACKING DISTRICT.

THEY'RE LOOKING AT THE

DIFFERENT ALTERNATIVES.

THEY'RE LOOKING AT PRICE POINTS.

>> LOOK HISTORICALLY.

PARK AVENUE, IN MIDTOWN WAS

CONSIDERED THE MOST OPULENT

SPACE, AVENUE IN THE CITY AND

IT STILL IS FANTASTIC. SAME

RENTS TODAY CAN BE SEEN IN A

LOFT THE BUILDING ON HUDSON,

VARICK, LOWER 5th, PARK SOUTH.

AND MAYBE ON MADISON OR PARK.

NUMBER ONE.

AND RESIDENTIAL, IT'S MORE

EXPENSIVE TO BE NEAR THE HIGH

LINE IN A BUILDING ON WEST 25th

THAN MAYBE ON PARK AVENUE AND

71st STREET.

IT SHOWS YOU EVERYTHING HAS

CHANGED.

>> I THINK IT'S A LOT BECAUSE,

PEOPLE WANT TO BE IN NEW YORK

BECAUSE THIS IS WHERE THE JOBS

ARE AT.

THIS IS WHERE FASHION IS AT.

THIS IS WHERE MEDIA IS AT.

AT THE SAME TIME IS THE

COMPANIES WANT TO ATTRACT THAT

PERSON INTO THEIR COMPANY, THEY

NEED TO PROVIDE AN EXCELLENT

OFFICE ENVIRONMENT.

AND THE ENVIRONMENT THAT EXISTED

TRADITIONALLY IS NOT WHAT THE

NEW TALENT WANTS.

THE NEW TALENT WANTS TO BE IN

THESE LOFT-STYLE BUILDINGS.

HAVE TALL CEILINGS.

GIANT WINDOWS.

AND THEY'RE WILLING TO PUT UP

WITH SITTING MUCH CLOSER TO EACH

OTHER, AS LONG AS THEY ALSO GET

THE AMENITIES THAT COME ALONG

WITH IT.

>> STATE-OF-THE-ART AMENITIES.

>> LET'S TALK ABOUT THE OFFICE.

SHARING CONCEPT.

OF THE WEWORK.

INDUSTRIOUS. AND SO ON.

IN MANY YEARS, YOUR FAMILY

HAD ALWAYS LEASED SOME SPACE TO

CERTAIN PEOPLE WHO WERE THE

INITIATORS OF CO-WORKING.

MANY YEARS AGO,

I HAD A SPACE ON 40th STREET

WHERE I WAS RENTING SPACE.

LITTLE DESK, A LITTLE OFFICE.

XEROX MACHINE THAT I PUT IN MY

CODE NUMBER.

AND THAT WAS IT.

THAT ELEVATED TO THE

OFFICE-SHARING TYPE.

WHAT IS HAPPENING WITH THE

OFFICE SHARING?

>> WE JUST DID A DEAL WITH

NOTEL.

A COMPETITOR TO WEWORK.

AND WHAT NOTEL IS OFFERING

SMALL COMPANIES FLEXIBILITY.

THEY'RE STARTUPS OR ARE IN

THE INCUBATION PHASE OF THE

DEVELOPMENT.

AND THEY DON'T KNOW IF THEY'RE

GOING TO BE 10,000 SQUARE FEET.

50,000 SQUARE FEET.

OR 1,000 SQUARE FEET IN A YEAR.

SO, THERE ARE COMPANIES THAT

WILL CHARGE THEM PROBABLY TWICE

WHAT WE WOULD, BUT GIVE THEM THE

FLEXIBILITY.

THE FURNITURE.

ALL THE TECHNOLOGY.

FOR THAT PRICE.

>> SO WHAT DO THEY CHARGE THE

TENANT?

>> I HAVE HEARD THAT THE GOING

RATE-

THE DEAL THAT WE DID WAS IN THE

FINANCIAL DISTRICT.

I HEARD THE GOING RATE IS IN THE

$80 A FOOT RANGE.

>> AND THE LEASES ARE WHAT?

ONE MONTH OR A YEAR?

>> ONE MONTH, ONE YEAR.

SIX MONTHS.

>> NOTEL IS TYPICALLY NOT A

MONTH TO MONTH.

IT COULD BE ONE TO THREE YEARS.

THEY'RE NOT TRYING TO BE THREE

PEOPLE FOR ONE MONTH.

THEY'RE TAKING EMERGING YOUNG

COMPANIES THAT WANT THEIR OWN

IDENTITY AND THEIR OWN SPACE

AND THEIR OWN FLOOR SO

IT'S NOT A SHARED SPACE.

>> IT'S NOT A SHARED SPACE.

>> IT'S HITTING THE NERVE,

WHICH IS FLEXIBILITY.

THEY DON'T WANT A COMMITMENT.

THEY DON'T WANT TO SPEND

OUT-OF-POCKET MONEY TOWARD REAL

ESTATE.

IT'S A SWEET SPOT.

>> ARE THEY GOING IN AS WE WOULD

SAY, THEY DON'T HAVE TO HAVE ANY

FURNITURE?

>> RIGHT.

>> THEY'RE TAKING THE OFFICE

SPACE.

>> PLUG AND PLAY.

>> PLUG AND PLAY.

ALL THEY HAVE TO BRING IN IS

THEIR COMPUTERS.

>> THE INITIAL -- I'M SORRY.

I'LL FINISH UP.

THE INITIAL VERSION OF THE

CO-WORKING SPACE WAS SOMEONE

RENTED AN OFFICE.

THEN IT MOVED TO YOU CAN RENT

FOR LESS A DESK.

OR A DESK WHERE YOU'RE

CO-LOCATING.

NOW IT'S MOVED UP THE LADDER A

LITTLE BIT TO WHERE THERE ARE

COMPANIES THAT HAVE FIVE, TEN,

15, 20, EMPLOYEES THAT CAN RENT

SPACE. FULLY FURNISHED.

ALL THE TECHNOLOGY.

ON SHORT TERM LEASES WITH

FLEXIBILITY.

>> IT COULD ALSO BE THE OTHER

WAY, WHICH IS

WEWORK, YOU CAN PAY TO BE PART

OF THEIR COMMUNITY.

NOT HAVE AN OFFICE.

NOT HAVE A DESK.

SIT THERE IN THEIR LOUNGE.

BE PART OF ALL THEIR DISCOUNTS.

THEIR HEALTH CARE.

THE DISCOUNTS AT EQUINOX.

YOU'RE PART OF THE COMMUNITY.

YOUR OWN FACEBOOK COMMUNITY

CALLED WEWORK.

>> REGIS DID THIS 35 YEARS AGO.

>> BUT REGIS DIDN'T MOVE FORWARD

HOW HE WAS DESCRIBING IT.

AN OPEN, ECLECTIC YOUNGER.

REGIS WAS COMPARTMENTALIZED

OFFICES ON PARK AVENUE.

>> BUT REGIS OPENED UP AN OFFICE

ON THE GROUND FLOOR ON 3rd

AVENUE AND 47th STREET.

THEY HAVE AN OFFICE SPACE ON THE

RETAIL SPACE WHERE PEOPLE CAN GO

IN AND PLUG AND PLAY.

IT'S A DIFFERENT TYPE OF REGIS.

>> THE SPACE.

IT'S CALLED THE SPACE.

>> CALLED THE SPACE.

OPENING IRONICALLY ON STATEN

ISLAND.

ONE OF THE FEW SPACES OVER

THERE. BUT LET'S TALK ABOUT THE

WEWORK-

HERE'S A QUESTION FOR THE

LANDLORDS OVER HERE.

DO YOU MIND HAVING AN

OFFICE-SHARED TENANT?

>> ACTUALLY, THEY FILLED A VOID

FOR US.

AT 119 WEST 24th STREET.

WHICH WAS ANHEUSER-BUSCH LEASED

PROBABLY TWO-THIRDS OF THE

BUILDING

AND NEW YORK CITY ALLEY CAME IN

AS ANOTHER OF THESE COMPETITORS

WITH AN OFFICE SHARING CONCEPT

AND LEASED THE REMAINDER OF THE

BUILDING.

THEY WERE GREAT SOLUTION.

OUR PRINCIPALS HAVE DEBATED THE

EXACT POINT.

DO WE WANT A WEWORKS OR NOT?

WHAT DO WE DO IN THAT TYPE

OF SITUATION?

>> MY QUESTION IS -- THAT SCOTT

BROUGHT UP BEFORE.

THERE WAS REGIS FOR A LONG TIME.

REGIS WENT BANKRUPT IN THE EARLY

2000s.

>> THERE A CONCERN OF

OVERVALUE OF WEWORKS TOO?

>> THERE ARE TWO SIDES OF THE

COIN ABOUT WHAT'S THE FUTURE?

>> DIVERSIFICATION GETS LOST AS

A LANDLORD IN MANHATTAN

WHEN YOU DECIDE TO TAKE AN

ENTIRE BUILDING AND GIVE IT TO

A WEWORKS OR SOMEBODY LIKE

THAT YOU DON'T HAVE THE

SITUATION WHERE YOU HAVE TEN

TENANTS IN A BUILDING.

YOU HAVE ONE TENANT IN THE

BUILDING.

WHO IS SUBLEASING OUT.

>> WE ALSO HAVE AN OPERATIONS

ISSUE.

WE GET A LOT OF OFFERS ON FULL

FLOORS.

12,000 FOOT FLOOR.

FROM NOT WEWORK.

BUT SMALLER GUYS TAKE THE SPACE.

THEY CHOP IT UP AND THEN THEY

PLAY WEWORK ON A FLOOR.

AS A LANDLORD, AND OPERATING A

BUILDING, YOU HAVE TO CONSIDER

WHO IS COMING IN AND OUT OF YOUR

BUILDING ON THAT FLOOR.

YOU HAVE 18, 20 FLOORS AND WE

HAVE DEBATED THIS FROM AN

OPERATIONAL STANDPOINT.

DO WE WANT 200, NOT STRANGERS,

BUT VERY TRANSIENT PEOPLE IN AND

OUT ALL THE TIME.

EVERYBODY IS VERY

SECURITY-MINDED.

THE TENANTS ARE.

WE ARE FOR THEM.

MOST ARE FULL AND HALF FLOORS.

THEY'RE NOT LITTLE TINY

TENANTS.

THAT BECOMES AN ISSUE AS WELL TO

TAKE ONE OF THE SMALLER GUYS IN

WHO IS NOT WEWORK AND NOT

LEASING YOUR BUILDING.

>> LOWER MANHATTAN, WHAT IS

HAPPENING THERE?

>> SO, ALL YOU HAVE TO DO IS GO

DOWN THERE.

YOU CAN FEEL THE VIBE.

YOU'LL SEE THE EATALY'S OF THE

WORLD THAT OPENED UP THERE.

YOU HAVE CONDE NAST.

TIME INC.

GUCCI. THESE ARE ALL BRINGING

IN THE WORK FORCE.

GROUPON.

SPOTIFY. REALLY ACCESSIBLE BY

SUBWAY. GREAT FLOOR PLAY.

CONVENTIONAL BUILDINGS.

ONE LIBERTY.

28 LIBERTY. YOU GO THERE

AND YOU'RE PRETTY IMPRESSED.

IT'S VERY ENTENTICING.

THERE'S A LOT MORE TENANTS IN

THE MARKET TO SPEND BETWEEN $55

AND $65 A FOOT THEN $75 A FOOT.

MANY MORE TOURISTS.

MORE TENANTS OUT THERE LOOKING.

AND FOR THE BUILDINGS THAT HAVE

EFFICIENT FLOOR PLATES, I LIKE

IT. YOU GO DOWN THERE,

THERE WILL BE MORE RETAIL, MORE

RESTAURANTS OPENING.

THE POPULATION HAS CHANGED

DRAMATICALLY.

IT'S A GOOD STORY. RENT GROWTH

IS PROBABLY HAPPENING

BEFORE OUR EYES 20% OF THE LAST

THREE YEARS DOWN THERE.

THE BUILDINGS USED TO BE 42,

THEY'RE 52 NOW.

>> WHAT BRIAN SAID BEFORE.

SOME OF THE, YOU KNOW, PEOPLE

ARE LOOKING AT THE ZIP CODES

WHERE PEOPLE LIVE.

AND SINCE MANY OF THESE PEOPLE

ARE LIVING IN BROOKLYN AND IN

QUEENS.

THERE'S BEEN MORE PROLIFERATION

OF OFFICES IN THE BOROUGHS.

WHAT DO YOU SEE HAPPENING?

YOU HAVE ACQUIRED PROPERTIES IN

THE BOROUGHS?

>> IN THE FINANCIAL DISTRICT, WE

BOUGHT OUR FIRST BUILDING AT THE

END OF 2015.

IT WAS THE FIRST BUILDING SINCE

THE '80s WE BOUGHT DOWNTOWN.

EXACTLY WHAT

DAVID SAID IS WHAT'S HAPPENING.

EMPLOYEES LIVING IN BROOKLYN

HAVE MOVED INTO THE CENTER OF

MANHATTAN SOUTH.

THE NEIGHBORHOOD HAS GROWN

FROM AN AMENITY PERSPECTIVE

AND FROM A RESIDENTIAL

PERSPECTIVE.

THERE ARE THOUSANDS AND

THOUSANDS OF APARTMENTS THAT

DIDN'T EXIST TEN YEARS AGO IN

THE FINANCIAL DISTRICT.

NOW IT'S A 24/7 NEIGHBORHOOD.

WE SEE SIMILAR THINGS HAPPENING

IN LONG ISLAND CITY.

WE HAVE THREE PROJECTS THAT WE

HAVE ACQUIRED IN THE LAST THREE

YEARS IN LONG ISLAND CITY.

WE THINK THAT NEIGHBORHOOD IS

CHANGING

SIMILAR TO THE FINANCIAL

DISTRICT.

IN THE SENSE OF THERE ARE

THOUSANDS AND THOUSANDS OF

APARTMENTS THAT HAVE BEEN

BUILT. THE HIGHEST QUAILITY

RESIDENTIAL APARTMENTS

THAT YOU CAN IMAGINE.

THE NEIGHBORHOOD IS CHANGING.

SLOWLY, BUT IT'S CHANGING.

AND WITH THE TRANSPORTATION,

JUST LIKE THE FINANCIAL DISTRICT

HAS, TRANSPORTATION GETS YOU

DIRECTLY TO PENN STATION.

DIRECTLY TO GRAND CENTRAL.

AND DIRECTLY TO BROOKLYN, WE

THINK WE'LL BRING EMPLOYERS

THERE AS WELL.

>> NORTH OR SOUTH OF THE LONG

ISLAND EXPRESSWAY?

>> IT'S NORTH OF THE LONG

ISLAND EXPRESSWAY-

>> IF YOU GO SOUTH OF THE

LONG ISLAND EXPRESSWAY AND

YOU'RE IN A WHOLE DIFFERENT

REGION IN TERMS OF PRODUCT.

ONE OF THE DEALS IS THE

BLANCHARD BUILDING.

>> WE HAVEN'T EXPLORED THAT

NEIGHBORHOOD AS MUCH.

BECAUSE WE DON'T THINK THE

TRANSPORATION IS AS GOOD.

>> YOU HAVE TO GO UNDERNEATH THE

EXPRESSWAY TO GET OUT THERE.

>> RIGHT.

>> I WENT OUT WITH BRIAN.

WE TOOK THE SUBWAY FROM IN FRONT

OF ONE OF OUR BUILDINGS, 40th

AND 7th.

AND WE WERE IN THE BUILDING IN

TEN MINUTES.

AND SO THAT WAS SORT OF MAGIC

WHEN THEY WERE SHOWING.

WOW, OKAY, THAT WAS GREAT.

WHAT'S HAPPENED THE LAST THREE

YEARS IS BELIEVABLE. I THINK

THE RETAIL IS LACKING.

AS AN OLD RETAILER.

>> LONG ISLAND CITY IS

UNDERRETAILED.

>> THE RESIDENTIAL SHOULD

HAVE BROUGHT IT A LITTLE FASTER.

AND HOPEFULLY, IT'S STARTING NOW

TO ROLL.

>> DAVID, BROOKLYN?

>> SO, WE'RE SEEING TODAY IS

THAT COMPANIES ARE MOVING,

MORE THAN EVER IN MY CAREER, TO

CONVEY BRAND AND IMAGE.

FOR THE RECRUITMENT AND

RETENTION, AND THIS IS

HAPPENING IN MANHATTAN AND

BROOKLYN.

WHEN THE PRODUCT DOES FINALLY

COME TO MARKET.

A LOT OF THESE PROJECTS ARE

UNDER WAY.

YOU LOOK AT 25 KENT.

YOU LOOK AT DOCK 72.

WATCHTOWER.

THEY'RE COMING.

>> WE HAVE 16 COURT STREET.

WE HAVE METROTECH.

>> METROTECH IS LEASED.

16 COURT WAS A TURNOVER.

ALL THIS LARGER IS COMING.

WHAT WE'RE SEEING, THE COMPANIES

THAT ARE INTERESTED ARE

INTERESTED BECAUSE THEY WANT TO

COMMUNICATE TO THE WORLD THAT

WE'RE FORWARD THINKING.

IT'S PART OF OUR STATEMENT.

WE WANT TO BE IN AN EMERGING

MARKET.

SO IT'S -- IT'S INTERESTING.

A LOT OF PRICE POINTS THERE.

IT CAN RANGE-

>> THE EMERGING MARKET

NEEDS TRANSPORTATION.

THE REASON YOU INVESTED IN LONG

ISLAND CITY WAS TRANSPORTATION

AS SCOTT JUST SAID.

IT'S A 15-MINUTE RIDE.

MY NEGATIVE ABOUT THE NAVY YARD

AND PARTS OF BROOKLYN, THEY'RE

NOT NEAR THE TRAIN,

REALLY CHANGES THE IMAGE.

IT'S WONDERFUL THAT 25 KENT

IS GOING TO BE A BRAND NEW

BUILDING IN A VERY CHIC AREA

WITH A COUPLE OF HOTELS,

IF YOU DON'T HAVE THE L TRAIN

MOVING OVER THERE.

IT'S VERY COLD TO BE OUT ON THE

FERRY STOP IN DECEMBER AND

WAITING FOR THE FERRY.

>> SO THE OTHER SIDE OF THE

COIN, THOUGH, TO THAT.

IS A LOT OF PEOPLE ARE COMING TO

US SAYING I HAVE A TREMENDOUS

AMOUNT OF EMPLOYEES THAT RESIDE

IN BROOKLYN.

IF THE L TRAIN GOES DOWN AND

I'M IN MANHATTAN,

I WANT PLACE IN BROOKLYN SO

IT WORKS BOTH WAYS.

>> PART OF THE PLAN-

I KNOW THEY ARE VERY INVOLVED

WITH WHAT WE CALL THE SFX,

THE TROLLEY IDEA OVER THERE.

WHAT'S HAPPENING IN THE NAVY

YARD?

BESIDES THE FACT THAT YOU HAVE A

700,000 SQUARE FOOT BUILDING

GOING UP.

>> GOING BACK TO WEWORK. THEY'RE

THE ANCHOR TENANT THERE.

THE BENEFIT OF A WEWORK TYPE

TENANT IS IT'S ADDING VIBE.

THAT'S WHAT EVERYONE IS TRYING

TO PAY UP FOR IS VIBE.

SENSE OF COMMUNITY.

CHELSEA MARKET WAS MENTIONED

EARLIER BEFORE WE CAME ON.

THAT WAS SUCCESSFUL BECAUSE

THERE WAS A SENSE OF COMMUNITY.

THE NAVY YARD STARTS WITH

DOCK 72.

IT WILL HAVE WEWORKS.

A LOT OF YOUNG WORK FORCE.

WHICH I THINK WILL BE GREAT

FOR THE NEIGHBORHOOD.

THEN YOU HAVE A LOT OF PROJECTS

COMING ONLINE.

>> YOU SEE THE POINT IS --

WEWORK WILL BE RENTING 220,000

SQUARE FEET.

THEY HAVE TO GET TENANTS FOR

THAT 220,000 SQUARE FEET ALSO.

IT'S A COMBINATION OF RENTING.

NOT GETTING A TENANT.

THEY COULD HAVE THAT.

BUT IF THE TENANTS DON'T

MOVE IN THERE.

THE YARD HAS SPACE. THERE ARE

CO-WORKING SPACES IN THAT

SECTION OF BROOKLYN.

BUT NOT -- NOT THE MAGNITUDE OF

220,000 SQUARE FEET.

>> THIS IS ALL -- THIS IS ALL

COMING.

I DO THINK THERE'S TREMENDOUS

DEPTH FROM THE INDIVIDUAL THAT

WANTS TO HAVE AN OFFICE TO THE

5,000 FOOT TENANT THAT

CAN'T FIND A PLACE IN BROOKLYN.

THERE HADN'T BEEN GREAT PRODUCT

FOR THEM TO MOVE TO.

WITH PEOPLE COMING TOGETHER,

THERE WILL BE A COMMUNITY.

I THINK WE SHOULD PUNT ON THAT

ONE.

>> LAST QUESTION, SINCE YOU LIVE

IN WESTCHESTER.

HOW IS THE OFFICE MARKET IN

WESTCHESTER?

I KNOW IT'S NOT THE TOPIC OF

DISCUSSION.

>> THAT'S WHY I BOUGHT A PLACE

IN MANHATTAN.

I WAS MOVING THAT DIRECTION.

I WOULD SAY WESTCHESTER,

CONNECTICUT, PROBABLY HASN'T

CHANGED MUCH IN RENT IN YEARS.

>> IT'S THE SAME RENT YOU PAID

20 YEARS AGO.

>> IT KIND OF IS.

IT'S QUALITY OF LIFE.

YOU'RE CLOSE TO YOUR HOME.

WHO IS THE BIG INDUSTRY?

IT'S HEALTHCARE AND EDUCATION.

THAT'S BEEN LIMITING.

>> I THINK IN SUMMATION.

IT'S A TENANT'S MARKET.

IF THEY LOOK AT THE RIGHT TYPE

OF PROPERTIES.

PEOPLE ARE OPEN TO COMPANIES

LIKE ANHEUSER-BUSCH.

SPOTIFY. AND ALL THESE OTHER

COMPANIES.

MEDIA COMPANIES AND EVERYTHING

ELSE IS COMING HERE.

IT'S A POSITIVE SIGN.

THE CRYSTAL APPLE IS OVER THERE.

I CAN'T SHINE IT.

IT'S SHINING PRETTY GOOD.

I WOULD LIKE TO THANK SCOTT,

DAVID, MICHAEL, BRIAN.

SEE YOU NEXT WEEK.

♪ [THEME MUSIC] ♪

For more infomation >> The Stoler Report - What's Really Happening in the Office Market? - Duration: 28:59.

-------------------------------------------

What makes you feel most alive? - Kimmy - Duration: 2:29.

For more infomation >> What makes you feel most alive? - Kimmy - Duration: 2:29.

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Limiter vs Compressor: What You Need to Know (Easy) | musicianonamission.com - Mix School #34 - Duration: 8:13.

You feel like you are the only one who doesn't understand the difference between a compressor

and a limiter, you are not alone.

After teaching over half a million people about home recording, I can tell you that

understanding a difference between compression versus limiting is one of the key milestones

in your progression as a mixer.

After all use a limiter where you should be using a compressor and your mixes might end

up like this.

[Music Being Played 00:00:30]

Keep watching if you want to finally understand why compression and limiting are two different

things.

So you can start to enjoy mixing and make music that sounds professional.

But first, if you want to get compression right, every single time, be sure to grab

the free compression cheat sheet, just head to the link you see on the screen now.

Now, before you can truly understand the difference, you need to understand how threshold and ratio

work on a compressor.

To help us out, let's bring in our good friend, Mixbot.

Now, let's say we have a base guitar part that's all over the place.

Some notes are too loud and some are really, really quiet.

Well, we could sit there and manually turn down the loud notes and turn up the quiet

notes, but that would take quite a while.

So instead we can get our friend Mixbot's to help us out.

We could say, hey, Mixbot, every time it gets to this side of volume, let's say, minus 10

dBFS, could you just turn it down a bit.

And he says, yes, sure, no problem.

So we play through the base track, every time it gets to minus 10 dBFS, Mixbot just turns

it down to stop those loud notes from peeking and to get them more in line with the quiet

notes.

But then Mixbot asks, well, how much do you want me to turn it down?

Should I just turn it down all the way?

Should I just turn it down a bit?

And this is where ratio comes in.

The ratio is how much you want the Mixbot to turn the audio down when it gets to the

threshold, which in this case we said was minus 10 dBFS.

So now, we are starting to see how compression gets complicated.

So we say, okay, Mixbot, every time it gets to minus 10 dBFS, can you turn it down at

a ratio of 2 to 1?

So for every 2 decibels it goes above the threshold, minus 10, can you turn it down

1?

So then it only goes above 1.

If it goes above the threshold 10 decibels, Mixbot is going to turn it down 5, a ratio

of 2 to 1.

So Mixbot is happy, he's turning down the loud notes when they get to a certain threshold

and by certain amount dictated by the ratio.

And then we can say, well, now that you've done that, let's just bring the whole channel

up and that's your output gain.

So now, the loudest notes have got quieter and we turn the whole channel up.

So now, all the quiet notes are louder in comparison to where they were before.

The loud notes come down and then everything comes up.

That's how compression works.

But let's say for a second we want to tell Mixbot to never let it go above the threshold.

So this time we say, hey, Mixbot, if the entire mix is about to clip, if the whole mix is

going to go above 0 dBFS, the point of distortion, could you just stop it going any louder?

Because that would be great, that would really save me a lot of work.

You don't need a ratio or anything like that.

I just want you to stop.

As soon as I hit 0 dBFS, just stop.

Don't let it get any louder.

Mixbot is like, hey, no worries man, that's fine by me.

That's a limiter, because now what we are doing is limiting the audio to the threshold

and in this case, we could say, 0 dBFS.

So there's no ratio involved, because it's a brickwall limiter, that's why it's called

a brickwall because as soon as the audio hits it, it's not going to go any higher; whereas

a compressor, as soon as the audio hits it, it keeps going, but tapers off according to

the ratio.

So that's the key difference, it's in the ratio.

A compressor has a low ratio, 2 to 1, 5 to 1, 8 to 1, it's even quite a low ratio, whereas

a limiter has a ratio of infinity to 1 - the audio never goes above the threshold.

So what are the practical applications of this?

I am going to show you the one place on your mix where you need a limiter and then everywhere

else is compression.

But first, to make sure you get compression right all the time and you use compression

like a pro, download the free compression cheat sheet.

You see the link on the screen now.

It's completely free.

Over 6000 people have downloaded this, used it to improve their mixes.

So let's jump into logic.

So, where should you use a limiter?

That's only one place.

Let's keep it simple - on your Mix Buss.

And that's it.

Really, it's that simple.

There are other places where you might want to use a limiter in your mix, but the only

place where you consistently need a limiter is on your Mix Buss.

Now, if you are sending your track off for mastering, you wouldn't even need a limiter

there, you wouldn't even need a limiter anywhere.

But if you are releasing your own tracks online, you need the limiter as the very last plug-in

on your Mix Buss, because this allows us to increase the volume without clipping and it's

really that easy.

So, this limiter here, you just want to set the setting to minus 0.5, let's drop that

threshold again, and we are just going to use auto release, keep it nice and easy, and

we are just going to drop this threshold until we are seeing about 2 db of gain reduction

on the peaks.

[Music Being Played 00:05:35]

So we've got a couple of peaks there that are going a bit higher, but we are mostly

sitting around minus 2.

That's perfect.

This is going to be loud enough to release online and compete, because so many online

platforms now are volume matched.

You don't need your mixes to be loud.

That's it.

That's limiting.

Now, there are going to be other cases, I am using a limiter here on the snare just

to give it a bit more control; but 95% of the time when you are using a limiter, it's

just going to be on your Mix Buss and don't even worry about using a limiter on your individual

channels.

Let's just keep it simple.

So then moving onto compression, now that's a different story.

Compression, we are going to use everywhere else.

We've got some compression here on the guitars and also here on the drums as parallel compression.

So compression is going to be used in every other place on the individual channels themselves

as well.

Now, this is going to be very genre dependent.

If you are mixing a jazz track, you are probably going to use no compression; whereas if you

are mixing a rock track or a hardcore track, you are going to use a lot of compression

to get that aggression; and if you are somewhere in between, like pop, you are going to use

compression more to control the dynamics to make sure everything is consistent in volume

without making it sound overly punchy.

So, compression is the whole topic we could talk for hours about, but this is the key

difference.

Limiter goes on your Mix Buss to increase the overall volume and that's it.

Keep it simple.

Don't even worry about limiters on individual channels because it's such a small use case.

And then compression you are going to use everywhere else.

So that's the difference between a limiter versus compressor.

Hopefully, you understand that now.

But, there's a lot more to compression.

Limiting, as you've seen, can be easy if we approach it in a simple way.

We keep it simple.

We just use the Mix Buss.

But compression, we are using everywhere else.

There's so much more to learn about compression.

So I've put together a free compression cheat sheet that goes through the ratio and the

threshold to help you remember.

It also goes through lots of applications, how to use compression, different instruments,

different genres.

There's tons of stuff in there.

And if you really want your mixes to sound professional, you need to know compression.

So, go download that, there's a link in the description or a link on the screen now.

It's completely free.

Now, I want to hear from you.

Do you use limiters on individual channels?

Or do you just use a limiter on your Mix Buss?

Leave a comment below saying either individual channels or Mix Buss.

So I want to know where everyone is using it.

Besides that, I'm Rob from musicianonamission.com.

I'll see you next time, and remember, Create Regardless.

For more infomation >> Limiter vs Compressor: What You Need to Know (Easy) | musicianonamission.com - Mix School #34 - Duration: 8:13.

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People FURIOUS At What US Green Beret Olympian Did In Picture After Losing Competition - Duration: 5:57.

For more infomation >> People FURIOUS At What US Green Beret Olympian Did In Picture After Losing Competition - Duration: 5:57.

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What's Brewing January 26, 2018 - Duration: 3:44.

For more infomation >> What's Brewing January 26, 2018 - Duration: 3:44.

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뱅드림/한글자막] What a Wonderful World! #OP 첫 릴리이벤! - Duration: 6:48.

For more infomation >> 뱅드림/한글자막] What a Wonderful World! #OP 첫 릴리이벤! - Duration: 6:48.

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What happens in a Lung Function Test? - Duration: 5:42.

This is a film about having your lungs tested in hospital.

Right Susan, this is where we do our breathing tests.

Thank you for letting me film today.

That's okay, do you want to have a seat and we can have a chat about what we are going to do today.

So Susan, do you take any medications?

No

Have you been in hospital for any reason in the last six weeks?

No

So once we know if things are okay we can get started with explaining the test.

Why would I need a breathing test?

Well, breathing tests tell us about how well your lungs are working

and sometimes when you're not well it can affect what your lungs are doing.

Right, Susan we're ready to start now.

Do you want to come across to my computer

and we can have a look at the mouth piece that we use for the tests?

So, this is the mouth piece we use to do all our tests, Susan

What we do is we get people to put their lips and teeth round there, nice and tight,

but we don't like them to put their tongue too close to the opening,

just in case the air comes out funny.

And then, we get them to wear a set of nose pegs on their nose

so that all the air goes into the machine and none of it escapes out into the room.

Would you like to try the nose pegs now?

Yes please.

So if you squeeze the top bit, then you can put that bit on your nose.

There we go and we'll just get them pointing up the way

so you don't bang your nose when you go onto the mouth piece.

So the first test we are going to do, what I'll get you to do is nice normal breathing

like your are doing just now, but you'll do it into to my machine

and then I'll get you to do a really big breath and fill up your lungs all the way to the top.

And then you'll blow it out really really fast for as long as you can

and then a nice big breath in again at the end.

So I'm going to show you want I want you to do.

So it's like this.

All the way in again.

Should we give it a go?

Yes

If you want to put your lips and teeth around the mouth piece now.

That's it. And close your lips round. Perfect.

And we're going to start off with just nice, normal breathing

So just in and out, nice and normally for me.

That's really good, well done.

Now, take that big breath all the way in and bust it out.

All the way, long as you can. Keep going, keep going, keep going, keep going.

And a big breath all the way in again.

And off you come and have a rest.

Well done

That was good.

That's us ready to do the next test now.

So, I'll get you to come across and have a seat in this box.

Okay, have a seat up there for me.

This box looks a bit like a Tardis. What is it for?

Well, the box allows us measure how big your lungs are and how well different parts of your lungs are working.

So if you want to turn around and face the other way and I'm going to put this mouth piece in for you.

There we go

and I'll just explain how this test works.

So, we get you to wear your nose pegs for this test as well.

But the other thing we have to get you to do is pop your hands up under your cheeks

and that's just because there's a shutter in here

and when the shutter closes we don't want your cheeks to move around too much.

Okay?

The first thing I'll get you to do is, I'll just get you to sit in the box and not do anything for about a minute.

And that's just because the box gets a wee bit warmer when you go in there

and we want to allow it some time to settle.

Then once we are ready, you can put the nose pegs on and pop your hands up onto your cheeks.

Okay?

And we'll start off with just nice, normal breathing. In and out like you're doing just now.

And then, once your breathing is nice and steady, I'll tell you that the shutter is going to close

and I want you to carry on breathing just normally, in and out, against the shutter just that for about two breaths

Okay?

Then the shutter will lift and you've got to blow all the way out to empty your lungs

and then do a really big breath all the way in

and blow all the way out again to empty those lungs again at then end.

And then we can come off and have a rest.

So, sometimes it gets quite warm in the box but we'll try not have you in for too long.

There's a microphone up there so you can hear me talking to you

but you might need to shout quite loudly to talk back to me.

Okay?

So you don't need to wear the nose pegs just now. We'll just shut the door first of all.

You okay?

Yes

Right Susan, that's us ready to start so if you want to put your nose pegs on your nose.

And put your lips and teeth round that mouth piece for me.

And sit up nice and tall.

And hands up onto your cheeks

That's it.

And we're just going breath nice and normally, in and out, to start off with.

So just in and out.

Well done.

So, I'm going to close the shutter now, so if you breath in, out, in, out.

And then blow all the way out to empty your lungs.

Squeeze, squeeze, squeeze, squeeze, squeeze.

All the way out and a really big breath all the way in.

And all the way out. Long as you can.

Squeeze, squeeze, squeeze, squeeze, squeeze, squeeze, squeeze.

And off you come and have a rest.

Right Susan, lets get you out of this box.

So, do you think that's all you need to know Susan?

Yes, thank you for showing me the breathing tests

That's not a problem, I look forward to seeing the film.

For more infomation >> What happens in a Lung Function Test? - Duration: 5:42.

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Choi Daniel Shares What He Learned Through "Jugglers" And His Military Enlistment - Duration: 3:13.

For more infomation >> Choi Daniel Shares What He Learned Through "Jugglers" And His Military Enlistment - Duration: 3:13.

-------------------------------------------

What Does Freedom Mean To You? - Part 32 - Duration: 0:54.

I believe that I am free to choose...mostly.

I think that I am concerned about the

current government, and I'm concerned

about the lack of apparent interest in

individuals and individual rights and options.

And I'm hoping that we get some

governmental change very fast.

They have to be fought for periodically.

I think that it doesn't last anywhere in

terms of history, that different

generations need to reassert themselves.

And I think that we're going through a

period just like that right now.

For more infomation >> What Does Freedom Mean To You? - Part 32 - Duration: 0:54.

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What Poop Color Is Telling You About Your Health - Duration: 3:51.

What Poop Color Is Telling You About Your Health

It shouldn't come as a surprise to you, but the fact is – we all poop.

Talking about poop might be a little embarrassing.

We're going to guess you don't spend much time talking about your poop.

Or even acknowledge that they happen.

But here's why you might want to give your a glance before you flush.

It's actually one of the best clues you have to your health.

Most of us are rather clueless of what falls in the realms of normal, or abnormal.

So what the color is telling about your health?

Poop does come in different shades.

And most of the times, the color can provide great insight into what your body is up to.

Brown Poop

Congratulations!

You're perfectly normal.

Poop is normally brown.

The color is the result of what you eat and how much bile is in your stool.

Bile is a fluid your liver makes to digest fats.

It starts out as a yellowish green color.

But as the pigments that give bile its color travel through your digestive system,

they go through chemical changes and turn brown.

Green Poop

Most of the time, green or greenish poop is normal.

This is a surprisingly common stool color change to occur.

It could be due to the presence of bile pigment in your stools when you're suffering from

diarrhea.

Loose motions cause food to travel quickly through your intestine,

which doesn't give your body enough time to break down the green bile pigment into

its normal brown color.

The green color could also be as a result of consuming green foods like leafy green

vegetables or even green food coloring.

Yellow Poop

This shade is also normal for many people.

It's common for babies, especially those who breastfeed.

But if you have yellow poop that looks greasy and smells very bad, it may have too much

fat.

That could be a sign your body isn't digesting food properly.

For example, if you have celiac disease, your body can't handle a protein called gluten,

which is in wheat, barley, and rye.

If you have the condition and eat foods that have gluten, like many breads, pastas,

and cookies, your intestines won't work as they should.

Black Or Bright Red Poop

This could indicate a possible bleeding in your gastrointestinal tract.

Bright red stools indicate fresh blood, which could mean lower GI tract bleeding.

Black stools could also appear as a result of certain supplements and medications or

consuming black licorice.

If your stools are black, tar-colored, please go and get evaluated by your doctor.

White Or Gray Poop

This could indicate a lack of bile, which may suggest a very serious problem,

such as cirrhosis, pancreatic disorders, hepatitis, or even a blocked bile duct.

Hence, please consult a doctor as soon as possible.

The use of antacids could also produce white stools.

If there is increased mucus in your stools,

it could be related to inflammatory bowel diseases like ulcerative colitis or Crohn's

disease,

or it could also be a sign of colon cancer.

Poop isn't just a fact of life, it's also your body's form of communication.

As you see, brown, green and yellow poop looks normal, but if you have red, black and white

poop,

please consult your doctor as soon as possible.

Stop ignoring what your body has to say.

It's time to listen.

If you like the video, give it a thumbs up and share with your friends.

For more health videos, subscribe to the channel and turn the notification bell on.

Thank you for watching.

For more infomation >> What Poop Color Is Telling You About Your Health - Duration: 3:51.

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뱅드림/한글자막] What a Wonderful World! #2 릴리스 이벤트 개시! - Duration: 6:22.

For more infomation >> 뱅드림/한글자막] What a Wonderful World! #2 릴리스 이벤트 개시! - Duration: 6:22.

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What Would Jeff Do? Dog Training Tip of the Day #56 Stay Command - Duration: 3:01.

- Hey, everybody, how are you?

It's Jeff Gellman of Solid K9 Training,

with my What Would Jeff Do Dog Training Tip of the Day.

Dog training tip, tip number 56.

Why we don't train the stay command.

Number one, it's just a word.

Number two, it doesn't mean anything to do the dog

'til you train it.

We actually don't train stay, but dogs seem to be staying

in downs and places for hours at a time with no problem.

The reason why we don't is because it is one more command

you'd have to teach to the dog, and always remember,

it's a word that the dog doesn't understand.

To us, it means something.

It means stay right there.

But what you can really do,

and what we do highly successfully,

is we teach, say, the word down.

So if you want your dog to stay in a down,

you would teach the dog to lie down, on command,

and then it's an implied stay.

So what would it would be is,

well, how does a dog know when to stay?

Well, how does a dog know that stay means stay?

It's an English word that has meaning to us

and not to them.

You'd have to teach the dog what stay meant.

So stay to a dog doesn't mean stay.

It means nothing, actually.

And then you get frustrated 'cause the dog doesn't stay.

So instead what we do is we teach the dog down,

and we start it out with short-duration work,

a couple seconds, couple minutes, leading up to

your five minutes, 10 minutes, 15 minutes, an hour.

But then if the dog gets up, once they know the command,

we include the word no.

No means what you just did was wrong.

It's very important that all dogs know what no means.

It means what you just did was wrong.

And then we want you to go back to your last known command

in that instance.

The dog understands that.

How do we know?

'Cause when the dog's in a down, and it breaks down,

we say no, the dog lies back down.

Therefore it understands what no means.

In a lot of contexts, we don't have to say stay,

because we don't use it.

So it's one more command you have to teach.

How does a dog stay in a place bed?

Again, put the dog in the place, it learns what it means,

when it knows what it means through training,

then you would add in the word no,

and then the dog understands no universally means

what you just did was wrong, don't do it again,

or go back to your known command.

Dogs pick up on it really, really quick.

If you want to use stay, keep using stay,

but don't be frustrated that the dog doesn't stay,

'cause you have to teach stay.

So then you'd have to teach the word down,

and then you'd have to teach the word stay.

And if they break command, you have to say down again,

and then stay again.

So if you do it, if it works for you, keep doing it.

We don't do it.

That doesn't make it better or worse,

but just giving you a little thing,

you could actually not use the word stay,

and your dog's still gonna stay once it understands it.

Jeff Gellman, Solid K9 Training,

What Would Jeff Do Dog Training Tip of the Day,

tip number 56, madly in love with you.

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